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In the heart of ancient Nîmes
The Avenue Jean-Jaurès excavations

On line since September 16, 2009 · Updated September 16, 2009
The morphology of the trench and its location at the junction of two ancient city defences provide an exceptional research opportunity.
Avenue Jean-Jaurès is not a Roman road. It was created in the 18th century by Mareschal, the Royal military engineer, following the development of the Fountain during a period of urban renewal.
The archaeological dig is within the central lane of the avenue and extends over 6,500 m2. This long, narrow band (approximately 400 x 15 m) is in a rich archaeological zone found because of accidental discoveries made in the 16th century, and partially studied during preventive archaeological excavations undertaken from 1980 to 2000.

The morphology of the trench and its location at the junction of two ancient city defences, the ditch round the Gallic oppidum to the north and the Roman rampart to the south, provide an exceptional research opportunity. The main stages of the urban development of this sector of the Antique city can be followed from the end of the 2nd century BC to the 3rd century AD when it was abandoned.

The transformation of the protohistoric town into a Roman city can thus be approached in detail.

The excavation began in October 2006 and lasted 10 months. The first results revealed a high density of relatively well preserved Antique remains sealed by medieval agricultural land as well as the thick made ground on which the avenue was built in the 18th century.

A series of streets, some paved, organized the landscape. Their divergent orientations reveal an urbanisation that was probably progressive. Sometimes lined with porticos and fountains, they border groups of finely decorated houses (mural paintings, constructed floors, mosaics), and zones devoted to craft production (pottery kilns) or storage and public constructions.
During the excavation of a well preserved basin a statue made from a local limestone was found. It represents a male divinity, perhaps Neptune. There were also numerous other finds associated with daily life.

Antique Nîmes

Following a north-south axis, the city of Nîmes occupies the southern slopes of a group of hills and limestone plateaux near a small river, the Vistre. The Nîmes area was occupied from the Upper Palaeolithic (15,000 years ago) and several Neolithic sites are known within the current city limits. Nonetheless, it was not until the 6th century BC that the first village was established on the southern slopes of Mont Cavalier, at the foot of which the Fontaine spring emerges. During the 4th century BC, this oppidum, the principal settlement of the Volques Arécomiques, was surrounded by a wall enclosing around 30 hectares, and dominated by an imposing observation tower, the Tour Magne. The plain was crossed by numerous roads and trails linking a network of farms and funerary enclosures and leading to the other coastal oppida and trading posts of the region.

During the 2nd and 3rd centuries BC, the economic and demographic growth of the city, then part of the first Gallic province under the control of Rome, Gallia Transalpina (which under Augustus became Gallia Narbonensis), is shown by an extension of the inhabited area to the south and east, a little beyond its former limits. The penetration of Latin culture occurred rather slowly through, for example, the progressive introduction of new architectural elements (tile roofs, painted plaster). On the outskirts of the city, small groups of tombs lined the roads. In the countryside, large farms were established. They covered several hectares and crops such as grapes were grown. At the end of Caesar's reign (44 BC), the city of Nîmes became a Latin colony, Colonia Augusta Nemausus, to which 24 minor towns were attached.

In Nimes, as in many of cities of the Narbonne region, the Augusto-Tiberian period (27 BC to 37 AD) marked a radical transformation of the urban landscape. A new vast wall was constructed. Six kilometres long and enclosing nearly 220 hectares, it was interrupted by monumental entrances, such as the Augustus Gate by which the Via Domitia entered the city. A mint produced bronze and silver coins, including asses with a crocodile and the legend COL NEM. Two public areas, dedicated to the imperial cult, were constructed, a sanctuary (Augusteum) around the Fountain, and the Square House, built on the southern side of the forum. The city of Nemausus was soon equipped with an aqueduct which brought water from the Eure spring near Uzès. The urban expansion continued and the end of the 1st century was marked by a new phase of major public works with the construction of public baths and an amphitheatre (the Arena). In the private districts, houses with courtyards displayed varying degrees of material wealth. In the country to the south, a network of small farms with central courtyards developed.

The 2nd century, a period when the houses were permanently occupied and their interior decoration sometimes enriched, was the time of maximum extension of the city. Meanwhile, at the end of this century, the outskirts of the city were progressively abandoned, perhaps due to a decrease in population and lack of investment. This process was accentuated at the end of the 4th century, and especially during the 5th, ending with the abandonment of vast zones of the city and the destruction of major monuments. The city was eventually reduced to the area around the amphitheatre in the sector of the future medieval city (the Ecusson). At the end of the 5th century, its total surface was less than 20 to 30 hectares. The peripheral areas were devoted to farming or left fallow.

Site Director

Jean-Yves Breuil, Inrap

Curation

Service régional de l'archéologie (Drac Languedoc-Roussillon)

Developers

Ville de Nîmes

See images

  • Excavation of a portion of a Roman house (2nd/3rd centuries AD). The terrazzo floor is decorated with small cross motifs (black and white tiles).
    Excavation of a portion of a Roman house (2nd/3rd centuries AD). The terrazzo floor is decorated with small cross motifs (black and white tiles).
    © Denis Gliskman
  • General view of the excavation. In the foreground, the rooms of a Roman house (2nd/3rd centuries AD). In the background, to the north, the Tower of Magne, part of the Antique fortification wall.
    General view of the excavation. In the foreground, the rooms of a Roman house (2nd/3rd centuries AD). In the background, to the north, the Tower of Magne, part of the Antique fortification wall.
    © Denis Gliskman
  • In the foreground, the reception hall of a Roman house (2nd century AD) with a mosaic in the centre of the floor (emblema) representing a female figure.
    In the foreground, the reception hall of a Roman house (2nd century AD) with a mosaic in the centre of the floor (emblema) representing a female figure.
    © Denis Gliskman
  • Basin with a semi-circular niche, accessed by a paved slope. The water spouted from the base of a statue of Neptune made from a local limestone.
    Basin with a semi-circular niche, accessed by a paved slope. The water spouted from the base of a statue of Neptune made from a local limestone.
    © Denis Gliskman
  • Roman road. Stones covering the sewers in the centre of the road.
    Roman road. Stones covering the sewers in the centre of the road.
    © Denis Gliskman
  • Column base. Architectural element of a portico lining a street.
    Column base. Architectural element of a portico lining a street.
    © Denis Gliskman
  • Small Roman pitcher (2nd/3rd centuries AD).
    Small Roman pitcher (2nd/3rd centuries AD).
    © Denis Gliskman
  • Oil lamp in the form of a foot. Traces of burning around the big toe indicate the location of the wick (2nd century AD).
    Oil lamp in the form of a foot. Traces of burning around the big toe indicate the location of the wick (2nd century AD).
    © Denis Gliskman
  • Face of a female statue in marble (1st/2nd centuries AD).
    Face of a female statue in marble (1st/2nd centuries AD).
    © Denis Gliskman
  • Emerald beads and intaglios, one representing a bird (a parrot?), the other winged Victory (3rd century AD).
    Emerald beads and intaglios, one representing a bird (a parrot?), the other winged Victory (3rd century AD).
    © Denis Gliskman